30 LOVERS IN 30 DAYS is the launch exhibition series of the new Lower East Side art space, Satellite Gallery. There will be a new solo exhibition every night in April.

Solo Project 29 of 30: April 29, 5:00–8:00 pm

THE REVERBERATION ROOM

Christopher Stout will present an exhibition of 5 favorite works in queer abstraction. Each piece will be accompanied by a short passage sharing the backstory of the work.

Satellite Gallery, 279 Broome Street, New York City 10002

Gallery Exhibition Series Statement: To celebrate the launch of SATELLITE ART SHOW’S first brick and mortar gallery we will be presenting a marathon of solo shows. The entire month of April will feature a solo exhibition/reception from 5pm-8pm each night.

30 LOVERS IN 30 DAYS features artists from our back catalog and folks who’ve supported us along the way. Essentially it’s a love letter to our beloved art community. Join us each and every night of April.

April 1 Brian Andrew Whiteley | April 2 Wave Space Studio | April 3 Stephanie McGovern | April 4 John Brendan Guinan | April 5 Katherine Verdickt | April 6 Jarid Blue | April 7 Amelia Biewald | April 8 Steven Harwick /Bound Leather | April 9 Ambrus Gero | April 10 Timothy Reyes | April 11 Breanna Cee Martins | April 12 Hayley Youngs | April 13 Benjamin King | April 14 PerformVu | April 15 Colleen Comer | April 16 Jacki Davis | April 17 Rachel Rampleman | April 18 Alexandra Hammond | April 19 Dan Halm | April 20 Ocean McDermott | April 21 Peter Ketchum | April 22 Yuli Aloni | April 23 J Morrison | April 24 The Robert James | April 25 Anne Spalter | April 26 Travis Rix | April 27 Robert Hickerson | April 28 Peter Clough | April 29 Christopher Stout | April 30 Eva Mueller

Satellite Gallery is directed by Brian Andrew Whiteley with Brittany Wherry serving as Assistant Director

The New York Artists Equity Association Exchange Show at The Woodstock Artists Association & Museum (WAAM)
Exhibition dates: April 19—June 02, 2024
Opening reception Saturday, April 20, 4—6pm


The Woodstock Artists Association & Museum is pleased to announce the New York Artists Equity Association Exchange Show, featuring work by members of the New York Artists Equity Association in New York City. The presentation will be on view at WAAM from April 19 through June 2, 2024 in the Main Gallery. WAAM will host a public reception at 28 Tinker Street in Woodstock to celebrate the opening of a new round of exhibitions on Saturday, April 20 from 4-6pm. For this presentation, WAAM and New York Artists Equity Association in NYC engaged in an exchange, in which artist members from each organization were invited to apply to participate in a group exhibition at the partnering venue. Selected Equity Association Artist Members will exhibit their work at WAAM, and in exchange, selected WAAM member artists will exhibit their work at New York Artists Equity Association in NYC from June 20 – July 20, 2024. This partnership celebrates the shared spirit and overlapping mission and history of the two organizations, which underscore an artist-driven approach that protects and supports artists while fostering and promoting the visual arts overall. Prominent artists, including notable WAAM member and NYAE’S founding President Yasuo Kuniyoshi, were instrumental across both organizations in the 1940s, and this exhibition carries on this spirit of collaboration. Additionally, the exchange broadens the scope of opportunity for artists, further developing the artist-centered principles upon which both organizations were founded.

Participating artist: Christopher Stout

(Click the image above to view an AMONG FRIENDS exhibition recap and image lookbook on Instagram.)

AMONG FRIENDS
Metaphor Projects,382 Atlantic Avenue, Brooklyn, New York 11217
Exhibition dates: April 05—14, 2024
Opening reception / Artist preview: Thursday, April 04, 6:00—8:00 pm

Inspired by the 1978 Robert Rauschenberg artwork “Hiccups,” AMONG Friends reflects and responds to the strength and illumination we find through art, friendship, and community. The exhibition will consist of 271 pieces of 9 x 7 inch paper, each worked on by a different artist, zipped together into one continuous, exuberant piece. Works on view on Instagram @among_friends_show

SELECTED RECENT BIBLIOGRAPHY (including articles that I have written for various New York City art publications, as well as articles written about my work):

April 22, 2022, Arcade Project Zine, Queer Fight Songs: 5 New and Not to be Missed Queer AF Exhibitions in NYC

https://www.arcadeprojectzine.com/features/queer-fight-songs

March 31, 2022, ArtSpiel, Making Sense Without Consensus at Equity

https://artspiel.org/making-sense-without-consensus-at-equity/

February 18, 2022, White Hot Magazine of Contemporary Art, New York Artists Equity Members Invitational Exhibition

https://whitehotmagazine.com/articles/artists-equity-members-invitational-exhibition/5311

February 18, 2022, Equity Gallery Blog, Notes from the NYAE Members Invitational Exhibition

https://www.nyartistsequity.org/blog/new-york-artists-equity-members-invitational-exhibition

November 01, 2021, Artists Talk on Art (ATOA), Artists Who Are Gallerists (Panel Moderated by Christopher Stout)

https://www.youtube.com/watch?v=5ydaePzD1tQ&t=3366s

October 23, 2021, Equity Gallery Blog, III: Abstraction, Utopia, and The Right to Roam, Written by Michael Gormley

https://www.nyartistsequity.org/blog/iii-abstraction-utopia-and-the-right-to-roam

October 15, 2021, Haber Arts, She Made Her Bed (Mary Lee Bendolph, Gee's Bend, and Christopher Stout), Written by John Haber

https://www.haberarts.com/geesbend.htm

October 09, 2021, White Hot Magazine of Contemporary Art, Artist Christopher Stout Interviewed by Roger Mathew Grant

https://whitehotmagazine.com/articles/interviewed-by-roger-mathew-grant/5154

March 01, 2021, Coastal Post, Social Distancing | Remote Studio Visits Part VI, Written by Nick Naber

https://thecoastalpost.com/artist-perspective-1/2021/2/26/social-distancing-remote-visit-part-vi

November 20, 2019, Art 511, queer abstraction in 2019, Alexandria Deters in conversation with artist Christopher Stout

http://art511mag.com/2019/11/20/queer-abstraction-in-2019/

An excerpt from the Art511 Magazine article:

Alexandria Deters: You have shared how queer abstraction was formed in the 1960s and flourished in the 1970s. Where do you see queer abstraction today? Is it flourishing, and if so, how?

Christopher Stout: Queer abstraction is something that queer artists are rediscovering and is yet relatively unknown by the Contemporary art world at large. This is also obviously changing. How it is used and what it could represent it ultimately up to us. I suspect that as queer artists are able to embrace abstraction as a medium to uncover new debates and new thinking, the movement will rapidly grow. I also hope that queer abstraction will also foster and spawn other new categories of queer art that move the needle forward on telling a fuller spectrum of our stories.

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SPRING/BREAK Art Show announces a Spring 'Surprise' Secret Show

May 10—20, 2023
Old School, 32 Prince Street, New York City
Participating artist: Christopher Stout

Notable dates:
Collectors Preview May 10th 2pm—5pm
Press Preview May 10th 2pm—5pm
Public Show Days May 11th - 20th, Noon—6pm

Press release: The secret is out! SPRING/BREAK Art Show is excited to announce our upcoming 'Secret Show' – a superlative salon that celebrates a select group of artists & curators from SPRING/BREAK Art Show's past with new and revisited artworks! Hosted in our original headquarters at the OLD SCHOOL in Nolita, the exhibition will straddle both May Art Weeks – from Independent through TEFAF and NADA all the way through Frieze New York.

(Click the image above to view the 2023 Naked Lunch exhibition page on the SPRING/BREAK Art Show Los Angeles edition website.)

BISHOP KNIGHT ROOK: Booth 39 at SPRING/BREAK Art Show Los Angeles
Curatorial Theme: Naked Lunch

SPRING/BREAK Art Show Los Angeles 2023
5880 Adams Boulevard, Culver City California 90323
Exhibition dates: February 15—19, 2023
Collectors and press preview: Wednesday, February 15, Noon—5pm

BISHOP KNIGHT ROOK is a 3-person exhibition featuring works by Cory Dixon, Michael Gormley, and Christopher Stout. The title refers to the major and minor pieces in chess, or as a metonym of the triangulation created through each artist's distinct approach to portraiture and storytelling painting.

Cory Dixon came to painting as a practice by route of exposure to post-minimalist sculpture. His approach to Realism hearkens from Eva Hess, Agnus Martin, Barkley Hendricks, Botticelli, and Courbet.

Michael Gormley’s paintings rejoice in a totemic artifice veiled in layers of diaphanous lasciviousness—a worship of other gods and monsters that lie beyond and yet animate the natural world.  Shoplifting from an array of diverse sources, from fresco grotesqueries to 50s soft-porn physique catalogs, Gormley looks to create a queer religion that offers protective narratives and flights of redemptive bliss.

Christopher Stout (pronouns: he/him and the inclusive they) is a New York City-based queer abstract (reductivist) painter whose work seeks to formulate conversations surrounding radical joy and a vision of queerness as found in our imaginations.

SPRING/BREAK Art Show is an internationally recognized exhibition platform using underused, atypical and historic New York City exhibition spaces to activate and challenge the traditional cultural landscape of the art market, typically but not exclusively during Armory Arts Week. This Fourth Annual Los Angeles exhibition is being held February 15–19.

All artworks in the show are displayed and available for purchase online, giving artists unknown, emerging, mid-career, and beyond a virtual compliment to their tactile exhibition.

Caption: Opening night of the 10th anniversary edition of SPRING/BREAK Art Show, with the curatorial theme of Naked Lunch, September 2022. I was pleased to curate a fair booth exhibition tilted, HERO WORSHIP: EPOCHAL SCENES PORTTRAYED BY GREAT AMERICAN STORYTELLER PAINTERS. Click the image above to view the orignal on my artist portfolio on Instagram.

This section contains information regarding art exhibitions in which I will participate during 2022.

(Click the image above to view the 2022 Naked Lunch exhibition page on the SPRING/BREAK Art Show New York edition website.)

HERO WORSHIP: EPOCHAL SCENES PORTTRAYED BY GREAT AMERICAN STORYTELLER PAINTERS: Booth 1009 at SPRING/BREAK Art Show New York
Curatorial Theme: Naked Lunch

SPRING/BREAK Art Show New York 2022
625 Madison Avenue, New York, New York 90323
Exhibition dates: September 07—12, 2022
Collectors and press preview: Wednesday, September 07, Noon—5pm

Artist and exhibition curator Christopher Stout is honored to present, Hero Worship: Epochal Scenes Portrayed By Great American Storyteller Painters …. displaying works by New York City painters Cory Dixon, Michael Gormley, Vicki Khuzami, and Hyeseung Song, along with San Francisco painter Matt Pipes. The exhibition is premised with an investigation that a revelatory aspect of contemporary figurative painting is a focus on freedom.

PRESENT Queer Art for the Here and Now: The inaugural prideART New York group exhibition includes the exciting, innovative work of 36 multidisciplinary queer artists from Berlin and New York, hosted in a historic East Village building.

Partcipating artists: Aaron Holloway, Angelica Gawell, Richard Schemmerer, Ron Kibble, Eva Mueller, Jack Sanders, Ken Borg, Meryl Meisler, Gio Black Peter, Flloyd, Man Parrish, Carmelle La Sirena, Jorge Clar, Brian Soigne Wilson, Christopher Stout, Colin Radcliffe, Dan Romer, Lars Deike, Lucien Samaha, Myra Kooy, Heidi Russell, Jamie Leo, Joel Handorff, Nunnapat ‘Spencer’ Ratanavanh, Kelly Bugden, Steven Menendez, Michelangelo Alasa, Rick Shupper, Van Wifvat, Vicki Khuzami, Parisia Parnian, Jack Shamblin, Kim Hanson, Warren Bradley, Christen Clifford, Chris Tanner

PRESENT is curated by nonbinary New York City photographer and conceptual artist Eva Mueller. The works presented include paintings, drawings, prints, photographs, videos, sound installations, and sculptures–from queer abstraction to the homoerotic–reflecting the diversity of queer identities.

prideART is a joint coalition between visual artists from USA and Germany.

Since its founding in 1947, New York Artists Equity Association (NYAE) has championed the professional aspirations of artists, many of whom have been integral to shaping America’s cultural landscape. We invite you to join us on May 11, 2022 for a fundraising benefit to celebrate NYAE’s 75th Anniversary, honor our storied past, and raise money to ensure NYAE’s bright future and continued support for artists.

The evening spotlights NYAE’s core mission and the talents of our artist community with 7 x 5, a stunning collection of 7x5” works in a range of media and styles, created and donated by member artists specifically for the event. Works will be for sale for $300 each throughout the evening, with all proceeds going to support NYAE. 

(Click the image above to view the exhibition page for the Virtual Postcards from the Edge auction on the Visual AIDS website.)

POSTCARDS FROM THE EDGE
An online benefit auction benefitting Visual AIDS
Exhibition dates: January 08—14, 2022

Visual AIDS invites you to participate in our 24th Annual Postcards from the Edge benefit, a unique benefit show and sale of original, postcard-size artworks by established and emerging artists. All artwork is exhibited anonymously, and the identity of the artist is revealed only after the work is purchased. It is not only a highlight of the art world each year for artists and collectors, but also provides essential funding to help us carry out our mission and programming.

Caption: Installation image of the painting, Towards a Gay Communism, Work 1, (homage to the landmark writings of Mario Mieli), 2020; shown in the group exhibition Pride: Diversity, Identity, History co-curated by Orestes Gonzalez and Efrem Zelony-Mindell at Plaxall Gallery in Long Island City June 03—July 25, 2021.

This section contains information regarding art exhibitions in which I will participate during 2021.

(Click the image above to view, III (THREE), a reexamination of the work and queer personhood of John Jeffery Berndt, I was able to show as part of this exhibition.)

III (THREE), a 3-artist exhibition
Equity Gallery, 245 Broome Street (Ground Floor Gallery,) New York, New York 10002
Exhibition dates: October 06—October 30, 2021
Opening reception: Thursday, October 07 6:00-8:00pm

Equity Gallery is pleased to announce “III”, a 3-person exhibition and includes new works by Miguel Otero Fuentes, Allen Hansen, and Christopher Stout; abstract minimal artists who find common ground with the use of sensory geographies, as well as architectural and organic symmetries.

The title “III” contains an acknowledgement of three distinct voices that hold cooperative elements within their work. “III” is as abstract as the work is. It can hold meaning beyond the definitions that can be given to it in a similar form in which the work does.

By reducing complexities to elementals, the works is by these artists evoke time, place, and memory. There is a preoccupation with the physical use of mediums which is prominent in their surfaces. Together, these artists initiate a dialogue which celebrates both their correspondence and interdependence.

(Click the image above to view the solo exhibition page for Wonderment of Otherness at Lichtundfire Gallery.)

WONDERMENT OF OTHERNESS
Lichtundfire Gallery, 175 Rivington Street (Ground Floor Gallery), New York, New York 10002
Exhibition dates: September 01 — October 02, 2021
Opening reception: Wednesday, September 01, 6:00-8:00pm

Gallery events

Fall Cocktails at Lichtundfire/ LES Gallery Art Night (during Armory Show Week)
Friday, September 10 from 6:00–8:00pm

Artist talk & reception
Saturday, September 18 from 4:00–6:00pm

Lichtundfire is pleased to present and welcomes all to “Wonderment of Otherness”, an exhibition of new monochrome paintings by New York City-based artist Christopher Stout (pronouns: he/him/they) concerning Queer abstraction. This exhibition marks his/their fourth solo exhibition at Lichtundfire. Stout’s work intends to surround us with the notion of radical joy and a vision of Queerness as found in our imaginations.

In the artist’s own words:

“I would suggest that Queer abstraction might be most easily defined as activist art about the Queer experience that does not employ representation of the human figure. Queer abstraction, along with Black abstraction, Feminist abstraction, and even Arte Povera are 4 distinct types of sociopolitical protest work birthed in the late 1960s and early 1970s, which primarily eschew the use of figuration.

In providing additional context, art critic and curator Eric Sutphin theorizes that contemporary artists practicing Queer abstraction, 'are in close dialogue with their forbears, and bring to the milieu of Queer abstraction a new set of social, economic, and political concerns…including a series of questions: What is the relationship between Queerness and formalism? Without explicit political references, how can abstract work transmit the urgency of its content?'

Within the 8 new monochrome paintings that are presented as the “Wonderness of Otherness”, there is an investigation of a specific environment in which the painting references would deploy markers of both Queerness, and also the nature of sociopolitical abstraction.

The works are designated as 'quilt paintings' as the central visual element and topography of the works are textile pieces of Belgian linen and cotton sewn together with wire in a manner akin to quilting. It should be noted that quilting here is not a reference to the AIDS quilt, but rather an extension of the tradition of quilting as a form of political art by marginalized people.

These quilts are stretched on stacks of wooden panels, so that the works retain elements to suggest being textile pieces, and also elements of being sculptures, and also elements of being paintings. This is a reference to the nonbinary.

Another concentration within these works is to express a linear relationship between Queer abstraction and Queer theory. Alongside each painting, I have designated a notable academic text, biography, or resource book documenting a spectrum of Queer ideas and experiences. Some of these books are longtime friends, and some of the more contemporary works were read as part of my research for these paintings.

Whilst these paintings are not designed to illustrate the work of these Queer academics, they do hope to activate a through line, manifesting the shared goals within Queer abstraction.

In evidence of this relationship, I will lean earnestly into the words of Queer Cuban American academic José Esteban Muñoz (1967 – 2013), who penned, 'Queerness is not yet here. Queerness is an ideality. Put another way, we are not yet Queer. We may never touch Queerness, but we can feel it as the warm illumination of a horizon imbued with potentiality. We have never been Queer, yet Queerness exists for us as an ideality that can be distilled from the past and used to imagine a future. The future is Queerness’s domain.'"

TOGETHER – PRIDE
Plaxall Gallery, 5-46 46th Avenue, Long Island City, New York 11101
Exhibition dates: June 03–July 25, 2021 (Extended)

Curators: Orestes Gonzalez and Efrem Zelony-Mindell

In creating this exhibit, the word Pride was used as a base for inspiration and interpretation. It was designed to be taken literally, conceptually, or theoretically. We chose strong, personal work that addresses the issues being discussed today, as well as projects that frame the historical struggles of the LGBTQ+ community and its increasing acceptance into the ever-changing mainstream.

(Caption: Click the image above to view the solo exhibition page for The Sound Art Drawings.)

THE SOUND ART DRAWINGS
New monochrome drawings by Christopher Stout, based on an album arranged by the artist highlighting sound art by queer composers
Artfare, New York, New York 10002
Exhibition dates: April 28–September 30, 2021

Artfare is pleased to present The Sound Art Drawings, a drawing solo by queer abstract reductivist painter Christopher Stout (pronouns: he/him and the inclusive they/them).

Stout describes queer abstraction as, "activist work about the queer experience that does not employ representation of the human figure and surrounds us with the notions of radical joy and a vision of queerness as found in our imaginations."

Each of these new drawings is premised upon a musical piece written by a queer experimental composer.

Here is an exhibition statement in the artists own words,

"Thank you for letting me share my work with you. I want to begin with an acknowledgement of Roger Mathew Grant, whose book, “Peculiar Attunements” has been beautifully essential in the ideation of this project.

https://www.fordhampress.com/9780823287741/peculiar-attunements/

I’m very keen on my new relationship with Artfare; and to celebrate our partnership, we are pleased to share a series of 11 new monochrome works titled, The Sound Art Drawings.

In a manner of speaking, these monochrome drawings formally highlight a working method of listening to sound art by queer composers. I enjoy an extensive library of sound art from queer composers, spanning from the late 1960’s through new genre music being composed present-day. Conceptually, I find queer sound art and queer abstraction to possess many congruencies.

For each drawing, I listened to a loop from a selected piece by a queer composer who I consider a cherished and esteemed member of my artistic chosen family. During the listening session, I drew a monochrome formed by the music. We could refer to these monochromes as conversations or mediations, and they allow me to better articulate my process as a queer abstract painter.

(Click the image above to view the SFA Project gallery website for, The Elements of Pattern and the Spaces in Between, which includes 2 new paintings, The Wonderment of Otherness 15 and The Wonderment of Otherness 16.)

THE ELEMENTS OF PATTERN AND THE SPACES IN BETWEEN
SFA Projects, 131 Chrystie Street, New York, New York 10002
Exhibition dates: April 14, 2021—June 27, 2021

SFA Projects presents "The Elements of Pattern and the Spaces in Between," a group exhibition of new works by Danielle Dimston, Patricia Fabricant, Gordon Fearey, Russell Floersch, GJ Kimsunken, Sirikul Pattachote, Benjamin Pritchard, Christopher Stout, and Jason Yung. The exhibition considers the elements of patterns by presenting contemporary works featuring line, form, texture, color, and space.

By isolating each of the elements that traditionally combine to produce patterns the presentation may, as a whole, be viewed as a pattern in itself, where visitors may step inside the pattern while contemplating the marks and forms that comprise it.

The exhibition also looks at patterns in a behavioral sense, and highlights the visual language patterns employed by each artist that help to define their studio practice and identity. Each of the participating artists have a consistent thread — a studio pattern — that ties one painting to the next and to all of the paintings before them, culminating in what can firmly be described as a body of work.

This deconstruction and reconstruction of pattern provides an exciting opportunity for meditative contemplation of simplicity within complexity.