Caption: An image highlighting prominent details of paintings, Androgyny 2 and Androgyny 3 made in 2016. These were the first paintings to which I publicly attached attributes of queer abstraction; and because of this, I hold an infinite fondness for them. Click the image above to view these works installed at the group exhibition Chewing Tar, Industrial Materials in the Service of Art at Lichtundfire Gallery, curated by Linda Griggs. For more information on this exhibition, kindly reference the notation below. |
A note of introduction: This page presents a highly abbreviated survey of New York City-based group exhibiton projects, to provide a helpful representation of how my work is able to dialogue with the work of others, including queer and non-queer work alike. Questions? Kindly e-mail me at cs@christopherstout.com. |
(Click the image above to reference the New York Artists Equity Association's exhibition page.) NYAE ANNUAL MEMBERS INVITATIONAL Equity Gallery is pleased to ring in 2022 with the NYAE Annual Members Invitational, the latest iteration of our annual juried group exhibition, exclusively featuring artwork by Rose, Emerald, and Lifetime members of New York Artists Equity. The exhibition is Equity Gallery’s first new show of the new year and will run from January 12th through February 19th. |
(Click the image above to reference the New York Artists Equity Association's exhibition page.) III (THREE) Equity Gallery is pleased to announce “III”, a 3-person exhibition which includes new works by Allen Hansen, Christopher Stout, and Miguel Otero Fuentes — abstract, minimalist artists who find common ground with the use of sensory geographies, as well as architectural and organic symmetries. |
TOGETHER – PRIDE Exhibition curators: Orestes Gonzalez, Director of Photographic Programming at Culture Lab and Efrem Zelony-Mindell Curatorial Statement: In creating this exhibit, the word Pride was used as a base for inspiration and interpretation. It was designed to be taken literally, conceptually, or theoretically. We chose strong, personal work that addresses the issues being discussed today, as well as projects that frame the historical struggles of the LGBTQ+ community and its increasing acceptance into the ever-changing mainstream. Participating Artists: Alex Pigeon, Bradley Hoseley, Carmelo Amenta, Cassi Alexandra, Christopher Stout, Cristina Velasquez, Daniel Alvarado, Dan Halm, David De Lira, David Wes White, Edward Gia, Elianel Clinton, Erika Kapin, Frances Bukovsky, Friends of David and Tom: (Anita Vitale, Cynthia Carr, Gracie Mansion, Jean Foos, Judy Glantzman, Virginia Hourigan), Gilberto Ruiz, Ismario Rodríguez, Ivana Larrosa, Jacob Grumulaitis, Jacqueline Silberbush, Jade Palmiotti, JaLeel Porcha, James Falciano, Jamie Ho, Jenna Petrone, Jesse Egner, Joe Klaus, Joel Handorff, Joey Regan, John Hanning, Jonathan Virginia Green, Jorge Mónaco, José Rafael Perozo, Joseph Radoccia, Joshua Tarplin, Keavy Handley-Byrne, Kelsey Sucena, Luisa Madrid, Mariette Pathy Allen, Michael Svizzero, Michela Griffo, Natalia L. Rudychev, Nicholas Loffredo, Nick Simko, Orestes Gonzalez, Pankaj Dahalia, Patricia Dahlman, Pierce Sapper, Rachael Warner, Raul De Lara, Ryan Aasen, Vincent CY Chen, Yorgos Efthymiadis, and Zachary Francois |
(Click the image above to reference SFA Project's exhibition page.) THE ELEMENTS OF PATTERN AND THE SPACES IN BETWEEN SFA Projects presents The Elements of Pattern and the Spaces in Between, a group exhibition of works by Danielle Dimston, Patricia Fabricant, Gordon Fearey, Russell Floersch, GJ Kimsunken, Sirikul Pattachote, Benjamin Pritchard, Christopher Stout, and Jason Yung. |
INFINITE RHIZOME |
(Click the image above to reference the documentary film of the dance/movement piece CHIMERA, performed at Gibney Dance in December 2018.) CHIMERA Gibney Dance, 890 Broadway, 5th Floor, New York, New York 10003 Exhibition Dates: December 13–15, 2018 Choreographer/Director: Burr Johnson Part of the presentation, Doubleplus: Fana Fraser + Burr Johnson Chimera emerges as a study on the textures of movement, the interplay between expressionism and formalism, and the subversion of expectations. The dancers seek new worlds by interrogating and reimagining various entrenched dichotomies—natural/artificial, female/male, human/animal, static/moving, and passive/active by way of intense physical rigor, pedestrian task-based actions, and dynamic partnering. As a painter uses chiaroscuro to transform two-dimensional surfaces, the juxtaposition of events and situations creates drama in this work. |
MINIMAL IMPACT Lichtundfire is pleased to present Minimal Impact, a carefully constructed and focused exhibition of mixed media paintings, drawings and works on paper, through the lens of three artists, Augustus Goertz, Alan Steele, and Christopher Stout, all of whom have shown their work in the past at Lichtundfire. Taking the common meaning of the term to another level of connotation- the Minimal Impact here lies in the sparsity of the application, delicate expression or subtle reference, however resulting in a powerful conceptual language. |
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(Click the image above to reference curator Melinda Wang's exhibition page.) CHAOS//CONTROL MW Projects is pleased to present Chaos/Control, a group exhibition featuring the works of Reut Asimini, Charlotte Becket, Christopher Beckman, Alva CalyMayor, Graciela Cassel, Amie Cunat, Jeremy Haik, Roxanne Jackson, Ambre Kelly, Aaron Krach, Alison Kudlow, Otto Milo, Jonathan Rider, Ross Sonnenberg, Christopher Stout, Brett Swenson, and Jenny Wong-Stanley. Through painting, sculpture, photography, performance and video, the 17 artists in the exhibition explore the duality of chaos and control, and how we occupy the space in-between. As we navigate our daily lives, isn’t it the unplanned moments that often bring the greatest joys? And do we actually gain control by letting go? Each work examines these questions in the creative process – revealing how artists alternate between chaos and control, and when an artwork takes on a life of its own. MW Projects is a cultural production and art advisory firm dedicated to bringing contemporary art to historic sites, non-traditional venues and liminal spaces. We work with emerging and established artists to transform environments and encourage dialogue about contemporary art and culture. For more information, please visit www.MWprojects.art. Exhibition Photography courtesy of MW Projects; photo by NYArt Photography. |
CHEWING TAR Curated by Linda Griggs Lichtundfire is happy to announce Chewing Tar, a tightly curated group show by Linda Griggs, which sheds a light on artists working with non-traditional materials, usually used in a different non-art context. The use and inclusion of nontraditional, commercial materials to make art leaves the option for an infinite expansion of the creative field and encourages the redefinition of what has been perceived as distinguishably artistic. The exhibition includes works by Jarrod Beck, Graham Caldwell, Ula Einstein, Augustus Goertz, Allen Hansen, Rick Klauber, Bernard Klevickas, Alex Markwith, Peter Patchen, Jonathan Peyser, Judy Richardson, Patricia Smith, Greg Stone and Christopher Stout. From the catalog essay by Linda Griggs: “Chewing Tar brings together fourteen artists working with materials typically manufactured for non-art purposes. Included are roofing tar, fibrated asphalt, tire rubber, wood shims, aluminum oxide, Tyvek®, 3D printing, and fused plaster. Featuring work by: Jarrod Beck, Graham Caldwell, Ula Einstein, Augustus Goertz, Allen Hansen, Rick Klauber, Bernard Klevickas, Alex Markwith, Peter Patchen, Jonathan Peyser, Judy Richardson, Patricia Smith, Greg Stone, and Christopher Stout. These artists come to their materials differently. Some find that the material inspires the art. There is an irresistible attraction in shiny tar, shimmering aluminum, and thick, black rubber. For others, when a preconceived idea can’t be executed using traditional art supplies, non-traditional materials are sought out. In either case the industrial materials intended purpose is discarded in favor of its visual potential. This show differs from up-cycled shows in that the artists did not choose their medium based on its ubiquity as a discarded material … and offers a view of these non-traditional art materials focusing on the rich, the lush, and the refulgent, often showcasing the tactile or voluptuous qualities of the medium. The artists choices, humble or high tech, present an element of surprise as we become aware of the materials original purpose and its newly elevated and highlighted significance in these handsome, visually textural pieces. Chewing Tar Lichtundfire is the second installment in the ongoing Chewing Tar series, which began with an exhibition at the UMASS Amherst Fine Arts Center, Hampden Gallery, March 2016. The title Chewing Tar refers to the childhood pastime of chewing on melting, sticky tar found on the side of the road in the summertime. |
(Click the image above to reference Brooklyn Fire Proof's exhibition page.) HRÖNIR: UNLOST THINGS Curated by Hazel Lee Santino |